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Friday, September 25, 2015

Music and performance arts

The national music of Laos is the lam, where a singer (songs by expert singers are mor lam) uses improvised poetry set to quick tempo music around themes of love, difficulty, and poverty using turns of phrases and subtle humor. Lam is highly regional, and many listeners can determine the setting and themes in the first few lines.
Laos Actor Wearing Khon Masks.

A popular form of lam is basically a battle-of-the-sexes between an expert male and expert female singer to entertain the audience and trip the opposing singer up using humor, innuendo or stylistic flair. Lam can also be used in story telling as a sung form of folk poetry, and forms the oral tradition predating the national epics in literature. Lam used in animist traditions creates a type of chant which is used during ceremonies like the baci.

The most integral instrument for Lao music is the khaen a free-reed mouth organ made of bamboo. Variations on the khaen are found among most ethnic groups in Laos. Laos also uses a number of classical court instruments which show strong influence from China, Cambodia and Thailand. The ensembles include flutes, zithers, gongs, drums, fiddles, lutes, cymbals and xylophones. Modern mor lam also includes electric guitars, synthesizers and electric keyboards.
Traditional Mor Lam.

Laos World Heritage Sites

Laos holds two UNESCO World Heritage Sites, and two tentative sites for their cultural and historic importance.
Wat Phu is a proto-Khmer site located in Champassak Province, which is more than 1,000 years old. The temple was built around a mountain with a natural formation reminiscent of a Shiva lingam. The Khmer built two cities on the banks of the Mekong and used the site (approximately 10 km) to create an earthly representation of the Hindu Mt. Meru using both natural and human construction. The site was abandoned as a Hindu place of worship, but over the centuries has become a site of Buddhist pilgrimage.
The old city of Luang Prabang is also a recognized World Heritage Site. Luang Prabang is the most heavily visited city in Laos, and was chosen for both its architectural and artistic heritage in fusing traditional Lao and French colonial architecture. There are more than 30 active temples in Luang Prabang, and was the seat of the Kingdom of Lan Xang from 1353-1560 and the Kingdom of Luang Prabang from 1707-1946.
The stupa That Luang and the Plain of Jars in Xieng Khouang were both nominated for UNESCO status in 1992. That Luang was nominated for its religious significance as a site of Buddhist pilgrimage and the Plain of Jars for its importance as a major archaeological site of Iron Age culture in Southeast Asia.
Wat Pu Champasak Worl Heritage Site.

The Plain Of Jars World Heritage Site.

 Luang Prabang Royal Palace.
Prabang Hall.

The Town in Luang Prabang. 

Xieng Tong Temple.

Tath Xae Waterfall in Luang Prabang.

Culture

Lao social structures are comparatively simpler than in neighboring Cambodia or Thailand, which is a logical outgrowth considering the ethnic diversity of Laos. Lao Theung and Lao Sung groups were outside the traditional class structures, but together made up a large portion of the population.
Traditionally the king was at the apex of secular and religious authority, as both the head of the sangha and his saksit power in animist beliefs. The remainder of the population was headed by a class of nobility and then the general population. There were no strong caste rules as appeared in Thailand with sakdi na or Khmer based cultures. Apart from the social structure was the Theravada clergy, which were due respect regardless of class. The fact the most males became monks at some point in their lives provided a route for social mobility and exposure to formal education.
Since the King of Laos was deposed in 1975, there were early attempts to downplay the importance of the monarchy and replace or alter many religious traditions and holidays. In recent years there has been renewed interest in the monarchy but from a nationalistic perspective, in a similar model to China since the 1990s. The socialist revolution theoretically put an end to the class distinctions in Laos, but in reality simply transferred traditional structures onto a different set of elite. The Lao sangha has also recovered their traditional role and status in much of Lao society.

Social Etiquette.
     Lao social status places an emphasis on respect for elders; religious images and clergy; family and village authority; and the Buddhist concept of dharma which emphasizes personal moral duty. Buddhist principles encourage stoic indifference and quiet reserve in dealing with disagreements. However, Lao people also have a strong concept of muan or “happy contentment” which encourages actions to not be taken too seriously or too quickly.
   The family unit is the basis of much social interaction, as such it is common for Lao to refer to each other using familiar cognates such as “sister, brother, aunt or uncle” without an actual family tie to that person. Friendship falls between two categories, moo linh “play friends” are acquaintances and moo tai “die friends” who are considered as family. It is not uncommon or even considered rude for moo tai to show up unannounced for an extended stay, or to share personal possessions. Personal face-to-face contact is considered the most polite, and Western notions of invitations, letters and emails are viewed as foreign.
   Traditional Lao are conservative about their appearance and personal space. Lao people are also generally sensitive about physical contact. The head is considered as sacred, whereas the left hand and feet are ritually unclean. In keeping with social status it is expected that younger people slightly bow or keep their heads lower than elders or clergy. Except among a parent child relationship it is considered condescending to touch a Lao person’s head. Pointing with the hands or fingers is also insulting especially during a disagreement. Positioning of feet is highly important. Feet should never be pointed toward a Buddha image, member of the clergy, or elders. Shoes should always be removed when entering a temple or a Lao home or will give serious offence.
   The typical Lao greeting is the nop which is similar to the wai in Thailand or the satu in Cambodia, and is based on the Indic Añjali Mudrā. In a nop the hands are clasped together upright in a prayerful position, with fingertips below the nose and a slight downward gaze. The nop is often accompanied with the greeting "Sabaidee" or “good health (to you)” and is considered the polite address for members of higher social status.
   Special social attention is paid to monks and religious items. Touching a Buddha image or animist shrine is always offensive. Lao people will generally nop and kneel when approached by passing monks. In respect for the monastic vows, it is considered an offence for women to touch a monk, his robes, or to hand anything to a monk directly. In many instances a male friend or family member will be used as an intermediary or lacking that a plate or some other item will be used and then placed on the ground for the monk to use. However, compassion is the guiding principle in such interactions and the exception is up to the monk to determine.
   Lao social etiquette is extremely complex, and much of it may go unnoticed by a non-Lao. In the past it was not uncommon for rule books (dtumla) which thoroughly explained social interactions, timing, and which activities which should be undertaken at key times to be used.

Baci Cerymoney.
The baci is the national folk ritual of Laos and the Lao Loum. The animist ceremony is part of satsana phi, and is used for all major social and life events. The Lao believe the soul has 32 components which can become imbalanced. The baci reinforces the soul and the community, and involves all the gathered into making prayers and well-wishes symbolized by silk or cotton threads which are tied around the wrists.
 Baci Cerymoney.

Religion

    Laos is approximately 60% Theravada Buddhist, which roughly falls along ethnic lines with the majority of practitioners being Lao Loum. The remainder is largely animist, following their unique ethnic traditions and practices. Even among the Lao Loum there is a high degree of syncretism with most Lao acknowledging the traditional animist traditions known collectively as satsana phi. Other religions are in the minority including Islam and Christianity and represent a combined total of less than 2% of the population.
Monks and Novices are praying Buddha.

Buddhist.
Theravada Buddhism is central to Lao cultural identity. The national symbol of Laos is the That Luang stupa, a stupa with a pyramidal base capped by the representation of a closed lotus blossom which was built to protect relics of the Buddha. The shrine has been rebuilt several times since being created in the thirteenth century by the Khmer, with the largest expansions by King Setthathirath in the 1500s as part of a nationwide building campaign.
Traditionally in Laos males would become novice monks at some point in their lives, giving them the opportunity to gain both an education and religious merit. Laos also has a somewhat unique belief among Buddhist countries that merit (boun) is transferrable among people, thus a son or daughter may make merit for a parent by temporarily entering a monastery. Lay persons are expected to feed and care for the monks of their local community, with the morning processions of monks (tak bat) who walk to collect offerings. Monks renounce material possessions and labor, thus the community and the monastery (wat) are bound in a mutually reinforcing relationship.

Animism. 
Animist traditions are also very strong in Laos with the belief in traditional spirits being a common cultural tie among the Lao Loum, Lao Theung and Lao Sung although such beliefs are strictly organized according to local traditions.
Collectively the Lao belief in spirits is referred to as Satsana Phi. Phi are the spirits of buildings or territories, natural places, or phenomena; they are also ancestral spirits that protect people, or can also include malevolent spirits. The phi which are guardian deities of places, or towns are celebrated at festivals with communal gatherings and offerings of food. Many Lao will have a spirit house on or near their property which is an important folk custom used to ensure balance with the natural and supernatural world.
Phi were believed to influence natural phenomena including human illness and so appealing to the phi became an important part of Lao identity and religious health over the millennia. Astrology was a vital part to understanding the natural and spiritual worlds and became an important cultural means to enforce social taboos and customs.
 Golden Pi Ban.
Traditionally the Lao Loum also believed that ancient mythical serpents known as ngueak inhabited major waterways, carving out the surrounding countryside and protecting key points along rivers or other bodies of water. The earliest name for the Mekong River was Nam Nyai Ngu Luang or "Great River of the Giant Serpent." Ngueak, and the nāga which have been “tamed” by Buddhism, were believed to bring rains, or change shape, and nāga in particular were believed to be protection spirits which inhabited the cities of Vientiane and Luang Prabang in Lan Xang. Nāga have endured as common motifs not only in myth and legend, but also on Lao temples, and silk weavings. Overtime the nāga became a potent symbol of the Kingdom of Lan Xang.

Language

     There are over 80 distinct native languages spoken by the different ethnic populations of Laos. Lao, the official language of Laos, is a monosyllabic tone based language from the Tai-Kadai family as spoken in Vientiane. There are 19 million Lao speakers in Thailand and 3 million in Laos, a reflection of geopolitical history. Lao can be further divided according to regional dialects including Vientiane, northern, northeastern, central and southern. Northern dialects are spoken in Sainyabuli, Bokeo, Phongsali, Luang Nam Tha, Udomxai, and Luang Prabang. Northeastern Lao is spoken mainly in Xiang Khoang and Houa Phan. Central Lao is found in Khammuan and Bolikhamsai. The Southern dialect is used in Champasak, Salavan, Savannakhet, Attapeu, and Sekong.

       As part of the Tai-Kadai language family spoken Thai is similar to Lao, with some distinctions. Lao has six tones, whereas Bangkok Thai has five, the standard lexicon, grammar, usage and pronunciations are also different. The two languages are not mutually intelligible, although Lao speakers tend to have an easier time understanding Thai because of the prevalence of Thai radio and media in and around Laos.

    Other major Language families include Austro-Asiatic languages spoken by the Mon-Khmer (Lao Theung) peoples, Hmong-Mien and Burmo-Tibetan (Lao Sung). Chinese and Vietnamese is spoken within their respective ethnic communities.

     Among Western languages French is commonly understood among the older (post-colonial) generation, and is still used in limited application for academic and official correspondence. English is quickly being adopted as the language of business and tourism, and is supplanting French among younger generations as the unofficial second language.

Laos Country

Laos developed its culture and customs as the inland crossroads of trade and migration in Southeast Asia over millennia. As of 2012 Laos has a population of roughly 6.4 million spread over 236,800 km2 (91,400 sq miles), yielding one of the lowest population densities in Asia. Yet the country of Laos has an official count of over forty-seven ethnicities divided into 149 sub-groups and 80 different languages. The Lao Loum have throughout the country’s history comprised the ethnic and linguistic majority. In Southeast Asia, traditional Lao culture is considered one of the Indic cultures (along with Burma, Thailand and Cambodia).

 Give alms to monk in the morning.

Laos is geographically isolated and mountainous, bounded by the Annamite Range in the east, forming a traditional political and cultural boundary with Vietnam (a more Chinese influenced Sinitic culture). Much of the western borders of Laos are formed by the Mekong River which provided the major means of inland trade despite limited navigability along the river’s length. Prior to the 20th century Lao principalities and the Kingdom of Lan Xang extended to the Sipsong Panna (China), Sipsong Chau Tai (Vietnam), and Khorat Plateau (today the northeast of Thailand) where the river was used as a transportation artery to connect Lao peoples on both the right and left banks. However, the political history of Laos has been complicated by frequent warfare and colonial conquests by European and regional rivals. As a result, Laos today has cultural influence from France, Thailand, China, Vietnam, Burma and Cambodia. The history of Laos is unique with a national character defined by its diversity in both culture and customs.